
Lisa and Anyma’s “Bad Angel” Returns to the Spotlight as ÆDEN Takes Over Mexico City
BLACKPINK ’s Lisa is returning to the center of Anyma ’s futuristic universe as “Bad Angel” gains renewed attention around the producer’s massive ÆDEN show in Mexico City on August 22, 2026.
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BLACKPINK ’s Lisa is returning to the center of Anyma ’s futuristic universe as “Bad Angel” gains renewed attention around the producer’s massive ÆDEN show in Mexico City
BLACKPINK’s Lisa is returning to the center of Anyma’s futuristic universe as “Bad Angel” gains renewed attention around the producer’s massive ÆDEN show in Mexico City on August 22, 2026.
Anyma is scheduled to bring his immersive audiovisual experience to Estadio GNP Seguros, with “Bad Angel” among the defining tracks associated with the current ÆDEN era. Lisa has not been officially confirmed as a guest at the Mexico City concert, but the possibility of hearing her unmistakable voice echo across the stadium is already enough to bring back memories of one of 2026’s most spectacular crossover moments.
Originally released on April 8, “Bad Angel” united Lisa with Italian-American DJ and producer Matteo Milleri, better known as Anyma. The collaboration pushed Lisa into a world of melodic techno, cinematic electronic production and hyper-real digital storytelling—revealing yet another side of an artist who refuses to be confined to a single genre.
For BLINKs, this was never simply another collaboration.
It was Lisa entering a completely new universe and making it feel like it had always belonged to her.
Lisa’s Transformation Into Beatrix
The official “Bad Angel” video introduced Lisa as Beatrix, a mysterious figure existing somewhere between human, angel and machine.
Wearing a white bodysuit with long ashen hair, Lisa awakens inside a surreal digital landscape where ancient ruins collide with futuristic technology. Wires connect her body to the world around her, but she does not remain controlled for long.
Beatrix rises, breaks free and walks through the ruins with the confidence of someone reclaiming her own power.
The character fits naturally within Anyma’s ÆDEN mythology, an audiovisual universe exploring the relationship between human consciousness, artificial intelligence and digital existence. Yet Lisa’s presence changes the atmosphere completely.
She does not feel like a guest placed inside someone else’s concept. She becomes the emotional center of it.
Lisa has always understood how to transform herself without losing the qualities that make her instantly recognizable. Whether she appears as a BLACKPINK member, a solo performer, an actress or a digital angel, her charisma remains impossible to reproduce.
In “Bad Angel,” that charisma becomes almost otherworldly.
When Lisa’s Voice Met Anyma’s Digital Universe
Musically, “Bad Angel” blends Anyma’s cinematic electronic production with Lisa’s controlled and hypnotic vocal delivery.
The track moves through enormous bass, crystalline synthesizers and a dark, atmospheric pulse designed for festival stages and immersive audiovisual performances. Lisa does not attempt to overpower the production. Instead, her voice moves through it with a quiet confidence that makes every line feel deliberate.
The song’s rebellious message also feels perfectly suited to her evolving solo identity.
Its central character may look angelic, but she refuses to behave according to anyone else’s expectations. She chooses her own path, controls her own image and embraces the contradictions that make her powerful.
That message immediately connected with fans who have watched Lisa expand beyond every label placed upon her.
She can be a rapper, dancer, vocalist, actress, fashion icon and experimental pop artist without choosing only one identity. “Bad Angel” is another reminder that Lisa’s solo career is not moving in a single predictable direction.
It is expanding.
Lisa previously explained that she had wanted to explore EDM and was drawn to Anyma’s distinctive creative vision. That genuine interest can be felt throughout the collaboration. “Bad Angel” does not sound like Lisa following a temporary trend—it sounds like an artist discovering another space where she can thrive.
Coachella Turned “Bad Angel” Into a BLINK Event
The collaboration reached another level when Lisa made a surprise appearance during Anyma’s ÆDEN performance at Coachella in April 2026.
Emerging in a metallic, feathered look surrounded by monumental digital visuals, Lisa transformed the performance into something that felt closer to a cinematic event than a traditional guest appearance.
For BLINKs, the moment carried even greater emotional weight because of Lisa’s history with Coachella.
She first performed at the festival with BLACKPINK in 2019, returned when the group became the first K-pop act to headline it in 2023 and later established herself there as a solo force. Appearing inside Anyma’s ÆDEN world added another chapter to that story.
The giant digital angel, the futuristic stage and Lisa’s physical presence created an image built for the biggest screens possible.
It also proved why Lisa is such a natural match for Anyma’s work. Both artists understand that modern performance is no longer only about the song. Music, fashion, movement, technology and visual storytelling can become one complete experience.
And when Lisa walks into that experience, the entire world watches.
Could Lisa Join Anyma in Mexico City?
Anyma’s August 22 show at Estadio GNP Seguros gives “Bad Angel” a timely reason to return to BLINK playlists.
The song has appeared throughout the ÆDEN era and remains one of the project’s most recognizable collaborations. However, there has been no official announcement confirming that Lisa will perform in Mexico City.
BLINKs should therefore treat any surprise-appearance theories as speculation unless Lisa, LLOUD or Anyma shares an official update.
Still, even without Lisa physically appearing, her presence is embedded within the ÆDEN universe. The moment her voice enters the stadium and Beatrix appears across the enormous screens, “Bad Angel” becomes Lisa’s moment again.
That is the power of this collaboration: it lives beyond a conventional music release.
It can exist on streaming platforms, inside an official video, across festival screens and within a constantly evolving digital world.
“Bad Angel” Revealed Lisa’s Fearless Next Chapter
Lisa’s career has always been defined by movement.
She left Thailand as a teenager, became part of the biggest girl group in the world and then built an independent identity capable of crossing music, acting, fashion and global entertainment.
“Bad Angel” captures that evolution in just a few minutes.
It presents Lisa as something simultaneously familiar and completely new: beautiful but dangerous, controlled but rebellious, human yet digitally transformed.
For casual listeners, it may be a powerful electronic collaboration.
For BLINKs, it is evidence that Lisa still has entire worlds left to explore.
As ÆDEN arrives in Mexico City, “Bad Angel” is ready to take over another enormous stage—and whether Lisa appears in person or through her digital alter ego, Beatrix remains impossible to ignore.
Lisa did not simply enter Anyma’s universe. She became its most unforgettable angel.

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