
Why JENNIE’s adidas Collection Is Facing Boycott Calls—and What She Is Actually Linked To
JENNIE’s first co-designed adidas Originals collection was meant to spotlight a new chapter in her fashion career.
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JENNIE’s first co-designed adidas Originals collection was meant to spotlight a new chapter in her fashion career.
JENNIE’s first co-designed adidas Originals collection was meant to spotlight a new chapter in her fashion career.
JENNIE’s first co-designed adidas Originals collection was meant to spotlight a new chapter in her fashion career. Its launch has instead become caught up in a controversy surrounding a separate advertisement from Adidas Israel.
Some fans and pro-Palestinian campaigners are urging her to end her partnership with the sportswear brand. Comments calling for a boycott have appeared alongside posts promoting her collection.
The central distinction is essential: the advertisement drawing criticism is separate from JENNIE’s campaign, and no evidence presented in the available reporting links her to its production or approval.
The pressure concerns her continuing relationship with adidas, rather than a documented role in the disputed advertisement.
The criticism centres on a local promotion for Adidas Israel’s Single Shoe Service, which allows amputee customers to purchase one shoe at a reduced price.
The advertisement featured Shalev Biton, a former Israeli soldier who lost a leg in 2021. Pro-Palestinian critics objected to that choice of spokesperson against the backdrop of the war in Gaza and the injuries suffered by Palestinian civilians, including amputations.
The resulting backlash spread through boycott appeals and the hashtag #BoycottAdidas.
Adidas issued an apology on September 7, acknowledging that the imagery had prompted concern and strong reactions. The company described the promotion as a local initiative by its Israeli team rather than a global campaign.
That explanation addresses where the advertisement originated. It does not, by itself, resolve the objections raised by campaigners about the brand’s choice of imagery.
The timing brought two different campaigns into the same conversation.
Adidas Originals by JENNIE launched on September 1, followed by campaign photographs shared by OA Entertainment on September 7. Her collection therefore remained highly visible as criticism of Adidas Israel circulated.
For those asking her to leave the brand, a prominent partnership represents a potential source of pressure on adidas. However, the existence of that partnership does not establish that JENNIE controls advertising decisions made elsewhere in the company.
For BLINKs encountering the story through short posts or screenshots, this is where context matters most. Supporting JENNIE, questioning adidas and discussing the humanitarian concerns behind the boycott are distinct positions; social media comments cannot reliably represent the views of the entire fandom.
At the time of the reporting supplied for this article, no public response from JENNIE or OA Entertainment had been identified.
Her contractual terms, any private discussions with adidas and the practical conditions for ending the partnership are not publicly established. Claims that she has already cancelled—or explicitly reaffirmed—the collaboration would therefore require new evidence.
The question now is whether adidas, JENNIE or OA will address the concerns surrounding the partnership. Until then, the clearest account keeps the focus on the advertisement that prompted the backlash, the demands being made, and the limits of what is known about JENNIE’s involvement.
Original sourcefacebook.com
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